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By Uong Jowo | Thursday, March 17, 2011 | Posted in , | With 0 comments
Announced plans to release a new  "The Best Of 1990-2010" compilation album. From Fear To Eternity : The double-CD.
The band started releasing studio albums in 1980, and they seem to get more popular with time. Their most recent studio album is 2010's The Final Frontier which went One in 29 countries. In the US The Final Frontier reached its peak position of Four by selling 63,000 units in America.

Their upcoming compilation album will highlight songs from their last eight studio albums, which follows 2008's compilation of their earlier work, the 1980-1990 Somewhere Back In Time album.

The announcement of From Fear To Eternity: The Best Of 1990-2010 comes on the heels of Iron Maiden's first ever a Grammy Award in the Best Metal Performance category for "El Dorado" from The Final Frontier.

Even though From Fear To Eternity will be a double-disc release, it will only be sold at the price of a single album. The album will also be available as a Digital Download Album and as a Limited Edition Triple Vinyl Picture Disc.
By Uong Jowo | Wednesday, March 16, 2011 | Posted in | With 0 comments
“Freak on a Leash” thrust Korn head-on into the mainstream, landing the California metal boys at #6 and #10 on the alternative and mainstream rock charts, respectively. With distorted guitars and tense dissonance, the heavy metal track carried aggression and metallic grind. Jonathan Davis’ lyrics are similarly effective – numb, apathetic, cathartic. Bringing metal to the masses, “Freak on a Leash,” is a stark, strong song that proved Korn innovators in heavy metal songage. – Anne Erickson


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Written by guitarist Jerry Cantrell, this juggernaut of thundering, low-end guitar and bass riffage bludgeons you relentlessly about the head and body. The song’s predominate 7/8 time signature (the most dastardly of time signatures – they’ve done studies) adds to the affect of keeping you off center. Cantrell and late vocalist Layne Staley’s beautiful harmonizing is haunting beyond despair. When the song’s 4/4 chorus kicks in, the abrupt shifting of gears takes you by surprise, almost like the boys are giving you a brief respite so you can catch your breath. Then pow! Back to the darkness for more pummeling. A metal masterpiece. – Sean Patrick Dooley

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The longest song Pantera ever recorded, “Cemetery Gates” stood out on the band’s already impressive fifth album, Cowboys from Hell, which was released in 1990. Frontman Phil Anselmo has said the song is about a female friend who committed suicide. “When I wrote the lyrics I did not want them to be too personal, because that can be cheesy,” Anselmo said during a live Ustream chat last year. “I also had to make sure that the lyrics would not take away from the song, because that was one of our best songs.” – Ellen Barnes

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Guns N’ Roses and Velvet Revolver bassist Duff McKagan recently ruminated on what bands are considered metal and what bands are not. While speaking to UGO.com about his new album with Loaded, The Talking, McKagan weighed in on the metal question.

“See, I don’t know what is ‘heavy metal,’” he said. “I was on That Metal Show yesterday, and they were [discussing] heavy metal drummers... and they didn’t have John Bonham. ‘Well, he’s not metal.’ But then they had Bill Ward from Black Sabbath. But if heavy metal is Slipknot, it would probably be Joey [Jordison]; he’s killer.”

McKagan went on to question if Led Zeppelin could be considered metal, but removed GN’R from the metal camp.

“What else is metal? If Led Zeppelin is metal, then hands down, John Bonham. But Guns N’ Roses is not – I would say we were not a metal band,” he said. “Metal to me when I was coming up was like Iron Maiden and Judas Priest. That was metal. And Motörhead wasn’t metal to me.

“I think there is – with metal purists – a definite line. I’m probably like some dumb ass poking my nose into something I don’t know much about.”
By Uong Jowo | | Posted in | With 0 comments
Metallica, Megadeth, Slayer and Anthrax are collectively known as thrash’s Big Four – the cornerstones upon which the entire thrash movement is built, and the compass one uses to orient oneself when navigating the turbulent waters of that aggressive, precise, angry, powerful metal variant.

But thrash does not begin and end with those four bands. For each one of the Big Four there are dozens more who trod similar ground but never quite made the leap to superstardom. Here are the great thrash bands that came mighty close to dislodging one of the Big Four but didn’t quite get over the line.


1. Exodus

Another classic Bay Area thrash stalwart, Exodus was formed in 1980 by Kirk Hammett and Paul Baloff, with Hammett’s guitar tech Gary Holt stepping up to the co-axeman role early in the group’s history. While Hammett went on to bigger things with Metallica, Holt and Co. released the classic Bonded by Blood in 1985, and a few more albums before calling it a day after 1992’s Force Of Habit. A 2001 reunion led to several new classics, including 2010’s brutal Exhibit B: The Human Condition. Most recently, Holt was drafted into Slayer to sub for Jeff Hannemann while he recovers from surgery.


2. Sepultura

The brainchild of Brazilian brothers Max and Iggor Cavalera, Sepultura’s early lo-fi works were underground classics but the band started to shrug off the Slayer influences with Beneath the Remains in 1989. By the time Arise was released in 1991, Sepultura were poised to become the new kings of thrash, and their 1996 hit Roots was one of the few metal albums to survive the ’90s intact. Sepultura, however, did not: Max left to form Soulfly that same year, and Iggor left in 2007. The brothers reunited in the thrash-influenced Cavalera Conspiracy in 2007 and the band is preparing to release their second album, Blunt Force Trauma.


3. Annihilator

Another classic thrash band from Canada, Annihilator are led by virtuoso guitarist Jeff Waters, a huge influence on modern metal heroes Alexi Laiho (Children of Bodom) and Willie Adler and Mark Morton (Lamb of God). Waters has played V-style guitars throughout almost his entire career, and currently dishes out ferocious thrash riffs on his signature Epiphone Annihilation-V guitars. Annihilator’s most recent release is a self-titled 2010 album that features a cover of Van Halen’s “Romeo Delight.”


4. Death Angel

These Bay Area thrash icons were formed in 1982 by cousins Rob Cavestany, Dennis Pepa, Gus Pepa and Andy Galeon. Right as they were poised to hit the big time with 1990's Act III, Galeon was sidelined by a traffic accident and the band were never quite able to capitalize on the buzz surrounding them. After a hiatus lasting most of the 1990s, the band returned in 2000, and their most recent thrashfest is 2010’s Relentless Retribution.


5. Bathory

Essentially a one-man band apart with occasional contributors brought in under a revolving door policy, Bathory was the creation of Quorthon, who formed the band when he was 17 years old in 1983. Bathory’s albums were typically quite lo-fi but Quorthon never let the limitations of his 4-track recording medium affect his songwriting or playing. Tragically, Quorthon passed away of heart failure aged 38 in 2004.


6. Voivod

A prog-inspired thrash outfit from Quebec, Canada, Voivod also tempered their metal with an occasional punkish edge, and were not afraid to delve into political post-apocalyptic science fiction themes in their lyrics. Although there are gems on all of the band’s albums (including those made after original guitarist Dennis “Piggy” D’Amour passed away in 2005), Nothingface (1989) and Angel Rat (1991) are held in particularly lofty regard among prog-thrash connoisseurs.


7. Overkill

Featuring the inimitable vocals of Bobby “Blitz” Ellsworth, Overkill was at one time the musical home of future Anthrax lead guitarist Dan Spitz, and they hit the big time with The Years Of Decay in 1989. Produced by Terry Date (Pantera, Soundgarden, White Zombie), the album combined stellar production with complex song structures. It was followed up in 1991 with Horrorscope, which featured new guitarists Rob Cannavino and Merritt Gant, who teamed up for a particularly memorable cover of Edgar Winter’s Frankenstein. The band is still active today, and their most recent release is 2010’s Ironbound.


8. Kreator

Founded in Essen, Germany, in 1982, Kreator built on the sound of early thrash influencers Venom (see honorable mentions below) and punched it up with more precision and aggression. Guitarist/vocalist Mille Petrozza is one of the most furious rhythm guitarists in the genre, and is no slouch when it comes to soloing either. Check out the band’s 2009 release Hordes Of Chaos or their 1989 classic Extreme Aggression.

9. Sacred Reich

These Phoenix, Arizona, thrashers were fiercely political in their lyrical approach and equally aggressive in their raw, in-your-face production. Drummer Dave McClain joined in 1991 and went on to join Machine Head in 1995, while founder Phil Rind has reconvened Wiley Arnett, Jason Rainey and Greg Hall to play occasional shows. The 1993 album Independent is an excellent entry point into the band’s particular brand of aggressive thrash.


10. Forced Entry

This Seattle-area thrash band’s sound was so ahead of its time that only now are bands like Cynic catching up. Guitarist Brad Hull was a technical monster, writing cracking riffs punctuated with staccato harmonics and a fat, warm, midrange-heavy tone in an era when everyone else scooped the mids right out. Hull was also a wild man when it came to whammy bar tricks. The band’s crowning glory is 1991’s As Above, So Below, which was reissued in 2009 after many years out-of-print.